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PENSO NO DEDO E DO COSMOS

ACOLHIMENTO TEATRO DA GARAGEM
COMPRAR BILHETE

Bilhete Único de 8,00€*
(acresce comissão SeeTickets)

PENSO NO DEDO E NO COSMOS
CRIAÇÃO DE MATILDE JALLES E MAURO HERMÍNIO
24 A 27 JUNHO 2021
[qui a sáb 19h30, dom 16h30]
TEATRO TABORDA

Cinco pessoas com um elo familiar e como paisagem… o Universo.  

Esta família age perante a sua pequenez e acha que esses atos são inconsequentes… No decorrer da noite vamos ver o quão profundas são realmente as marcas destas agressões… Quantos pensos serão precisos para sarar estas feridas? A sua existência doentia não os permite ver como não conseguem fazer um churrasco sem se rebentarem algumas Supernovas… Mas vocês já perceberam, certo?… As estrelas são cúmplices das suas agressões.

FICHA ARTÍSTICA E TÉCNICA
A partir de Além as Estrelas são a nossa Casa
Texto Abel Neves
Encenação Matilde Jalles e Mauro Hermínio
Interpretação Carlos Catalão, Catarina Secca e Cruz, Maria Toureiro, Pedro Emauz e Sonja Valentina
Luz e Som Matilde Jalles e Mauro Hermínio
Cenografia e Figurinos Matilde Jalles e Mauro Hermínio
Apoios Sociedade Instrução Guilherme Cossoul, Espaço Zero, Hangar e Teatro da Garagem
Agradecimento Abel Neves

Acolhimento Teatro da Garagem
Financiamento Direção-Geral das Artes, Governo de Portugal | Ministério da Cultura
Apoios Câmara Municipal de Lisboa, EGEAC, Junta de Freguesia de Santa Maria Maior

M/16 | duração 60 min

Mais informações:
218 854 190 | 924 213 570
producao@teatrodagaragem.com

Teatro Taborda Costa do Castelo 75, 1100-178 Lisboa

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WORKSHOP OF THEATRICAL SENSIBILISATION

WORKSHOP OF THEATRICAL SENSIBILISATION  
PARCERIA COM A FCSH/UNIVERSIDADE NOVA DE LISBOA
OFICINA ORIENTADA POR CARLOS J. PESSOA E CLÁUDIA MADEIRA
13 DEZ 2019 | 4:00 PM – 7:00PM | Teatro TabordA

 

Oficina de sensibilização teatral que tem como pano de fundo a temática “O Meu Teatro na Gaveta”, orientada por Carlos J. Pessoa e Cláudia Madeira, numa parceria entre o Teatro da Garagem e a Faculdade de Ciências Sociais e Humanas da Universidade NOVA de Lisboa, no âmbito do Laboratório de Drama e Comunicação, da disciplina Teorias do Drama e do Espetáculo, ministrada pela Professora Cláudia Madeira.

 

 

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THE MUSEUM GOES TO THE THEATRE

OFICINA O MUSEU VAI AO TEATRO
SERVIÇO EDUCATIVO TG
EM COLABORAÇÃO COM O SERVIÇO DE EDUCAÇÃO DO MUSEU NACIONAL DE ARTE ANTIGA (mnaa)
oficina i – presépio dito das necessidades
7, 8, 14 & 15 novembER 2019
TEATRO TABORDA
[10h30]

 

No projeto O Museu vai ao Teatro, foram selecionadas pela equipa do Serviço de Educação do MNAA, em diálogo com o Teatro da Garagem, algumas obras mais ou menos icónicas do espólio do Museu e, a partir das mesmas, desenvolveram-se oficinas que promovem o exercício da imaginação nas crianças e estimulam a capacidade de criar imagens para as imagens, através do jogo teatral, ao mesmo tempo que potenciam a capacidade de leitura e observação das várias camadas de significação das obras de arte.

Por período letivo e a partir de cada peça selecionada são realizadas duas oficinas: uma dirigida pelas colaboradoras do Serviço de Educação do MNAA, na qual são transmitidas referências e chaves de leitura para o relacionamento com a obra de arte; a segunda dirigida pelo Teatro da Garagem, na qual se procurará estabelecer relações entre uma obra não performativa e o universo teatral.

Para o ano letivo 2019/2020 foram selecionadas as seguintes peças:

  • 1º período [novembro – Natal] | Presépio dito das Necessidades
  • 2º período [fevereiro – Carnaval] | Biombos Namban
  • 3º período [maio] | Retrato de Senhora

 

Participação Gratuita – reserva obrigatória
Público-Alvo: 1º Ciclo do Ensino Básico

+ INFORMATIONS AND RESERVATIONS
producao@teatrodagaragem.com
+351 968015251 | +351 218854190

www.teatrodagaragem.com

 

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BLACK STARS

BLACK STARS
100th THEATRE PRODUCTION BY TEATRO DA GARAGEM
WRITTEN AND DIRECTED BY Carlos J. Pessoa

14 TO 24  nov 2019
[THU TO SAT 9:00 PM , SUN 5:00 PM]
Teatro Taborda

 

 

SYNOPSIS

BLACK STARS is a show made from stories of women who decide to rebuild themselves as people. This reconstruction is never easy for anyone, and is unlikely to have an end. Every day, perhaps, we have to learn to live. BLACK STARS is a show about this self-questioning; it is both fun and sad; it invites us into the darkness of ourselves with lighted lamps. After all, we are alive and we can be happy without finished formulas.

 

BLACK STARS premiered in February 2018 at the Spazio Teatro No’hma (in Milan, Italy) and in November 2018 received the Honorable Mention at the Il Teatro Nudo di Teresa Pomodoro International Award. A renowned jury in the international contemporary theatrical scene, including Peter Stein, Eugenio Barba, Luis Pasqual, Tadashi Suzuki, Lev Dodin, Stathis Livatinos, Ludovic Lagarde, Ruth Heynen, Enzo Moscato and Oskaras Korsunovas, gave this Mention.

 

 

CAST AND CREW LIST

Text, Direction and Artistic Conception Carlos J. Pessoa

Assistant Director Ana Palma

Acting Ana Palma, Inês Pereira e Rita Monteiro

Music and Sound Effects Daniel Cervantes

Set and Costume Design Sérgio Loureiro

Light Design Nuno Samora

Light Operation Gonçalo Morais

Production Director Maria João Vicente

Production and Communication Carolina Mano and Joana Rodrigues

Assistant Producer Marta Ascenso

Stage Assistant Carolina Elvira (Internship – ESTC)

Room Assistant Pedro Carranquinha

 

With support of Câmara Municipal de Lisboa, EGEAC, Junta de Freguesia de Santa Maria Maior

Financed by Direção-Geral das Artes, Governo de Portugal | Ministério da Cultura

 

+12 | 120 minutes approx.

 

+ Info and reservations:

+351 218854190 | +351 924213570

producao@teatrodagaragem.com

 

Tickets from 2,50€ to 5,00€

Teatro Taborda Costa do Castelo 75, 1100-178 Lisboa

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GARAGEM 30 YEARS: DIGITAL IMPRESSIONS

GARAGEM 30 ANOS: IMPRESSÕES DIGITAIS
EXPOSIÇÃO DO TEATRO DA GARAGEM
30 JANEIRO A 26 JULHO 2020
TEATRO TABORDA
[tER A DOM, 17H – 23H]

 

GARAGEM 30 ANOS: IMPRESSÕES DIGITAIS é um projeto de investigação que tem como objeto o trabalho desenvolvido pelo Teatro da Garagem ao longo de 30 anos de atividade continuada. Esta instalação assinala o percurso, a narração pressentida, de uma Companhia, que é parte determinante na história do teatro português contemporâneo.

A instalação foi pensada e materializada a partir da digitalização de imagens de arquivo das pessoas que fizeram, e fazem, parte do caminho percorrido pela Companhia. Esta recolha, este contacto/impressão com todos os que fizeram parte da Garagem, que ainda estão em atividade, ou já partiram deste mundo, permite a organização de uma memória imaginativa, no sentido da sua abertura às memórias de outros. GARAGEM 30 ANOS: IMPRESSÕES DIGITAIS pretende olhar para o memorial da Garagem, das mãos e dos dedos ao digital.

Para uma abordagem da próxima curva

Esta exposição é o resultado de um labor intenso por parte das pessoas que constituem o Teatro da Garagem, e permito-me destacar o Sérgio Loureiro, responsável pelo desenho cenográfico, e pela coordenação da recolha, e organização, dos materiais visuais, o Daniel Cervantes, responsável pelos espaços sonoros e o Gonçalo Morais, pela luz. Não é, contudo, esse fundamento, esforçado e talentoso, que singulariza a sua apresentação pública.

Esta exposição releva dos 30 anos de atividade contínua e venturosa do Teatro da Garagem mas também não é essa, a narrativa determinante cujo estudo, e crítica, não nos cabe a nós fazer.

Esta exposição refere direta, e indiretamente, a participação de mais de 500 pessoas, de muitos lugares, com os mais diversos interesses, afinidades e línguas, em objetos criados no âmbito de um projeto artístico comum, com reconhecimento público nacional e internacional mas, mais uma vez, não é essa a força motriz para abrir as portas da caverna mágica.

O valor principal, a meu ver, a chave desta exposição, reside não apenas no que mostra mas no que sugere. Não tanto no que se vê mas no que não se vê, que se pode adivinhar, ou imaginar; nas vozes para lá das imagens.

A chave não se materializa na elegia, urgente e merecida, de todos os nomeados, mas no lapso involuntário da memória, que dá assim notícia da sua impermanência, da sua traição. Na ausência de um nome o colapso de todos os nomes.

A patine da chave não está na pesquisa documental exaustiva, por arquivos referentes a 30 anos de atividade teatral, mas na súbita perceção da falta; que vão sempre faltar documentos, e que essa falta, tão só, dá conta dos teatrinhos que não foram feitos e que o deverão ser, nas mil e uma noites, e dias, que se seguem.

Esta exposição é o retrato do todo que se adensa por cada parte, espécie de monstro pachorrento e da proliferação de partes inesperadas, de capítulos não escritos, de imagens rarefeitas, de contornos e dobras; um lugar teatral de passagens e augúrios.

O que mais me cativa não é, apesar de me comover, o inventário rigoroso, atento e imparcial, de (quase) tudo o que fizemos nesta companhia, mas o estremecer de tudo o que não fizemos, que ficou incompleto ou não chegou a começar.

Esta exposição justifica-se, se aludir a algum sentido de justiça, pelos intervalos, pelas desmontagens, pelos atrasos e esperas, pelas discussões intermináveis; pelos diferentes ritmos, aparições e matizes, por todas as vozes… onde estás? Quem vem lá, agora? Quem e… porquê? A tua vida, a minha vida, ressonância de outubro e outros meses…  Esta exposição é como uma pele de lugares, uma pele de coisas, de fenómenos à flor da pele, rasgos, água que brota e um fio de sangue.

Trinta anos: pelos tempos mortos, pelas pessoas de quem perdemos o rasto; por aquelas cujo nome não nos diz nada, por aquelas para cuja cara não encontramos nome.

As impressões digitais parecem tocar, tocam-me, enquanto desígnio de afeto, cuidado, como gesto de amor, sem destinatário preciso, e dedicatória, ao futuro.

Esse futuro, de quem gosta de gostar dos outros, da vida, tão assim, e faz disso um teatro gentil, pertence a todos, é de todos, com, ou sem, Garagem.

O Teatro da Garagem, 30 anos, e mais além, com o seu espírito a um tempo sacro e profano, elevado ou banal, solar ou obscuro, absoluto, volátil, categórico…

A Garagem numa panorâmica parietal em equilíbrio harmonioso e depois, caindo, lentamente, espalhando-se, como o leite entornado de uma vasilha… o Teatro da Garagem, não dialético, arborescente, é uma frase inacabada.

Que nesse equilíbrio possas percorrer, sem quedas fatais, a próxima curva da estrada.

Carlos J Pessoa

Entrada Livre

Encerra às 2ªfeiras

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THE THEATRE OF A READ MAN

The theatre of a read man
99th theatre production by Teatro da Garagem
WRITTEN BY ERNESTO DE MELO E CASTRO
DIRECTED BY Carlos J. Pessoa
PARTNERSHIP FCSH/UNIVERSIDADE NOVA DE LISBOA
COPRODUCTION TEATRO GARAGEM (SÃO PAULO, br)
10 TO 13 OCTOBER 2019 | 21H00
TEATRO TABORDA
[THEATRE]

 

SYNOPSIS

THE THEATRE OF A READ MAN is a project that meets with the work of E. de Melo e Castro, built with poetic coordinates – between Lisbon and São Paulo, between theatre, performance and poetry. Three Portuguese actors and three Brazilian actors create a pendulum where words gain uncertain concepts, oscillating between various temporalities and spatialities.

 E. M. de Melo e Castro is a poet, essayist and engineer, born in Covilhã (Portugal), pioneer of experimental poetry, interventions and performances that marked the 60s/70s, in the period of the Portuguese Fascist Dictatorship, and who lives in São Paulo for about 20 years.

Melo and Castro’s poetic work, biography, and testimonies touch, encourage, and motivate a resistance intervention. Resistance to intolerance, resistance to technological delirium, resistance to pollution and the destruction of ecosystems, resistance to ourselves and our weaknesses.

 

CAST AND CREW LIST

 Artistic Direction Carlos J. Pessoa

Research and Dramaturgy Cláudia Madeira

Acting [Teatro da Garagem from Lisbon] Ana Palma, João Cachola and Rita Monteiro

Acting [Teatro Garagem from São Paulo] Anette Naiman, Carcarah and Maurício Bittencourt

Music Daniel Cervantes

Plastic Conception Sérgio Loureiro

Light Gonçalo Morais

Video TEMPER. (Portugal) and Daniel Rozenbaum (Brasil)

Production Director Maria João Vicente

Production and Communication Carolina Mano and Joana Rodrigues

Assistant Producer Marta Ascenso

 

Partnership FCSH/Universidade Nova de Lisboa

Coproduction Teatro da Garagem (Portugal) and Teatro Garagem (Brasil)

 

With support of Câmara Municipal de Lisboa, EGEAC, Junta de Freguesia de Santa Maria Maior

Travel support from Fundo de Fomento Cultural

Financed by Direção-Geral das Artes, Governo de Portugal | Ministério da Cultura

Acknowledgments Ernesto de Melo e Castro e Família, Tiago Bartolomeu Costa

 

+12 | 60 minutes approx.

 

+ Info and reservations:

+351 218854190 | +351 924213570

producao@teatrodagaragem.com

 

Tickets from 5,00€ to 10,00€

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ACCELERATION

ACCELERATION
94TH THEATRE PRODUCTION BY Teatro da Garagem
WRITTEN AND DIRECTED BY Carlos J. Pessoa
30TH ANNIVERSARY TEATRO DA GARAGEM
11 TO 14 JULY 2019
TEATRO TABORDA
[THU, FRI, SAT AND SUN | 9:00 P.M.]

 

ABOUT ACCELERATION

Libretto

Acceleration is divided into 15 scenes, which correspond to 15 diferent themes, according to the following script:

 1st Scene — Those Who Debate
Theme: What can be the theatre?

2nd Scene —  Four Roads Way
Theme: Memory

3rd Scene — Those Who Debate
Theme: What can be a person? 

4th Scene — Those Who Reconcile
Theme: Affinity

5th Scene — Birds Chirping in an Empty Pavilion
Theme: Cruelty 

6th Scene — Those Who Debate
Theme: Solitude 

7th Scene — Orchids and Black Notebooks
Theme: Innocence 

8th Scene — The Father and the Son that Reconcile
Theme: Love 

9th Scene — Those Who Debate
Theme: Hypocrisy 

10th Scene — The Spring Reconciliation
 Theme: Courage

 11th Scene — Those Who Debate
Theme: The Foam of the Days 

12th Scene — Julieta and Romeu
Theme: Passion

 13th Scene — Those Who Debate
Theme: To Be, Not to Be or  Go on Being?

 14th Scene — I Have a Problem with Cacém
Theme: City

 15th Scene — San Sepolcro
Theme: Dream

SYNOPSIS

ACCELERATION is the show that celebrates the 30th anniversary of Teatro da Garagem. ACCELERATION is an anthropophysical conjecture, which explores the scenic possibility of intersecting the Christian Faith, because, uncontrolled, it runs through our veins, with Quantum Mechanics. We speak of Faith in people, as particles, which can be so many, that are all, past, present and future, and so different from each other. In this show, we bring together all these people, adults, actors, teens, children, mass of particles in acceleration. Will Faith and Quantum Mechanics be derivations of the same miracle of Reconciliation; of the fraternal bridge, of solitary solidarity? Is there a Memory that expands and contracts, beyond us, a legacy that becomes effective, in Acceleration’s power, frenzy and slowness? From Acceleration to Reconciliation, we continue to experience this anthropophysical conjecture, in which Theatrical Mechanics and Quantum Mechanics meet. Will this effort, this delusion, this tacit agreement, this crucifixion, this 30 year celebration of Teatro da Garagem be worth it? Years we live by, that are ours and do not belong to us? Years that have been, and are, giving, fading and commotion? We do not know nothing, nor do we have the right to demand anything. That is accurate, that’s enough for us.

Thank you.

Carlos J. Pessoa

 

CAST AND CREW LIST
Written and Directed  by Carlos J. Pessoa
Assistant Director | Ana Palma
Acting | Ana Palma, Constança Carvalho Neto, Diogo Lopes, Emanuel Arada, Miguel Damião, Rita Monteiro and Tiago Bôto

Junior Theatre Club directed by por Rita Monteiro
Participants from Teatro da Garagem’s Junior Theatre Club | Aline Marques, Anneke Martins, Carlota Nascimento, Carolina Marques, Francisco Silva, Inês Reis, Íris Almeida, Júlia Coelho, Laura Henriques, Manuel Pessoa, Matilde Fernandes, Matilde Gonçalves, Miguel Almeida and Simone Domingues
Teen Theatre Club directed by Tiago Bôto
Participants from Teatro da Garagem’s Teen Theatre Club | Catarina Câmara, Gabriela Rodrigues, Gonçalo Fonseca, Jiayi Chen, João Almeida, Lillye Martins, Matilde Henriques, Miguel Fabião, Neuza Figueiredo and Nuno Antunes
Senior Theatre Club directed by por Ana Palma
Participants from Teatro da Garagem’s Senior Theatre Club | Akiyo Matsumoto, Alexandre Neves, Ana Maria Pereira, Ana Maria Rodrigues, Elsa Venturini, Graça Oliveira, Isabel Aires, Isabel Coimbra, José Pedro Magalhães, Júlia Catita, Júlio Reis, Liliana Pedro, Maria Luísa Guerreiro, Marina Preguiça, Paula Pimentel, Rui Almeida, Rui Fernandes, Sónia Castro and Vanessa Velosa

Original Music (live) and Sound Effects | Daniel Cervantes
Set and Costume Design | Sérgio Loureiro
Scenographic Construction | Tudo Faço – Construção e Montagem de Cenários Lda
Light Design | Nuno Samora
Technical Support | Carolina Elvira and Manuel Abrantes
Production Director | Maria João Vicente
Production and Communication | Carolina Mano
Assistant Producers | Joana Rodrigues e Marta Ascenso
Intern | Bruna Costa

Photography | Alípio Padilha
Video | TEMPER

With support of Câmara Municipal de Lisboa, EGEAC, Junta de Freguesia de Santa Maria Maior
Financed by| Direção-Geral das Artes, Governo de Portugal | Ministério da Cultura

+12 | 120 min approximately

+ INFORMATIONS AND RESERVATIONS
producao@teatrodagaragem.com
+351 924213570 | +351 218854190
www.teatrodagaragem.com

Price:
10,00€ – normal ticket
5,00€ – ticket with discount for professionals of Theatre, students of Theatre, over 65 and residents on the neighbourhood

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PROVISIONAL EXHIBITION

PARTNERSHIP
TRY BETTER, FAIL BETTER’19
and VAGA – arts and ideas exhibition
Provisional EXHIBITION
by Hugo Bonjour and Joana Mont’ Alverne

1 JUN 2019 | 9:00 p.m.
TEATRO TABORDA

 

[Performance | Exhibition]

“How many variation may a pose have?”, we read about Poses and Variations (Calouste Gulbenkian Museum, 2018 – 2019). We think these may be words to start asking questions aboutwhat we are going to do.
How many ideas and ideals do we take from others? How many behaviours do we mimic?
In what way are our gestures constructed and composed?  Which are ours exclusively?
How many poses are still invented? Any?
I perform for so many people, so do they perform for me?
I’m the one in the picture above but the expression is not mine.
It’s his, it’s hers, it’s hers…

CAST AND CREW LIST
Creation and Plastic Conception: Hugo Bonjour and Joana Mont’ Alverne
Acting and Production: Joana Mont’ Alverne
Costume Design: Hugo Bonjour
Light Design: Francisco Campos
Light Operator: Tiago Silva
Music: Carolina Viana e Mariana Leite Soares
Image and Communication: Mariana Hatherly
Video: Nuno Matos
Acknowledgments: Alexandra Macieira, Eduardo Brandão, ESMAE, Ermelinda Paixão, Inês
Pinheiro Torres, João Teixeira, Filipe Mendes, Rita Tulha, Teatro Universitário do Porto
Host: Teatro da Garagem

PROVISIONAL EXHIBITION is the winning project of VAGA – Arts and Ideas Exhibition 2019 Creation Grant, awarded by  Teatro do Bolhão.

 

SINGLE TICKET
CYCLE TRY BETTER, FAIL BETTER: 5,00€

The tickets must be previously booked and picked up in person at the ticket office, on the day of the show, between 7:00 p.m. and 8:30 p.m.

+ INFOS AND RESERVATIONS:
producao@teatrodagaragem.com | +351 218 854 190
PHONE SERVICE SCHEDULE: MON through FRI, 2:00 p.m. – 7:00 p.m.

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EXHIBITION L.I.B.E.R.D.A.D.E.

L.I.B.E.R.D.A.D.E.
EXHIBITION OF THE WORKS FROM THE PALMA PESSOA COLLECTION OF ART FROM TRÁS-OS-MONTES
24 APRIL TO 31 MAY 2019
TEATRO TABORDA
[5:00 – 10:00 P.M.]

 

 

In relation with the show L.I.B.E.R.D.A.D.E., in the framework of the commemoration of the Revolution of April 25th 45th anniversary, and three years after the exhibition of the Itineraries from Santo Estevão presented in Teatro Taborda, we once more show some works of folk art from Trás-os-Montes that intertwine with this cine-theatre in nine letters. Works and words to think Freedom (Liberdade)

L. Ler (Read)
Author: Amável Antão
The scissors of censorship

I. Ira (Wrath)
Author: João David Afonso
Did the plastic surgery go well?

B. Bondade (Kindness)
Author: João Manuel Esteves
Torga’s face

E. Estoicismo (Stoicism)
Author: João Manuel Esteves
Give me hug, but not in the Cristo-rei fashion!

R. River
Author: Maria Adelaide Pereira
The River’s meanders

D. Destiny
Author: Sendas (João de Deus Ortega)
To where is the departure?

A. Amor (Love)
Author: João Manuel Esteves
Look, Florinda is expecting!

D. Democracy
Author: Sendas (João de Deus Ortega)
I know I’m the minority here, but even so, can I have some light?

E. Eros
Author: Afonso Almeida Castro
Beauty doesn’t have a gender

Sentences by Carlos J. Pessoa

FREE ENTRY

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WORKSHOP MUSIQUICES

WORKSHOP MUSIQUICES
INTERNATIONAL CHILDREN’S DAY
EDUCATIONAL SERVICE BY TG
27, 28, 29, 30 AND 31 OF MAY 2019
TEATRO TABORDA
[10:30 A.M.]

 

 

They say classical music is a very serious thing, very learned! But we like to play around with everything. If we met Il Maestro Vivaldi or Herr Mozart, most probably we would pull one’s beard and ruffle the other’s hair. As it seems it is impossible for them to come down to earth, the only thing we can do is play with the music from them both: sing over it, dance to it like one dances to a good rock song, clap in violins, play the triangle in the stops and add maracas and xylophones to the stern string quartet.

It’s going to be a very animated “disconcert” but made in all seriousness!

 

Free Participation – reservation is mandatory
Age bracket: between the ages of 5 and 12

More info and reservations
producao@teatrodagaragem.com
218854190|968015251 (TUE to SAT: 2:00 P.M. to 7:00 P.M.)

 

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+ FAMILIES | SCHOOL PASSPORT WEEK

+ FAMILIES
SCHOOL PASSPORT WEEK
EDUCATIONAL SERVICE TG

 

12 MAY 2019
MUSEU DE LISBOA
[10:00 A.M. – 5:00 P.M.]

 

On the 12th of May, Teatro da Garagem will be present in the “Day +Families”, in the School Passport Week, that will take place in Museu de Lisboa – Palácio Pimenta. This is an initiative by Câmara Municipal de Lisboa, with free entry, from 10 a.m. to 5 p.m., for all the families that want to enjoy a day full of games and a lot of fun.

“You can also learn while playing” is the starting point of the School Passport Programme, by Câmara Municipal de Lisboa, that in this day will give children between the ages of 3 and 10 a different day, in a multitude of partnerships with public and private institutions in the framework of non-formal education.

Come have fun with your family!

 

May 12th – Day +Families
Where: Museu de Lisboa – Palácio Pimenta (Campo Grande, n. 245, 1700-091   Lisbon), free entry
Schedule: From 10 a.m. to 5 p.m. (lunch break from 12:30 p.m. to 2 p.m.)

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ALBERTO VELHO NOGUEIRA

BOOK PRESENTATION

 

ALBERTO VELHO NOGUEIRA

16 MAY 2019 | 7:00 P.M.
TEATRO TABORDA

 

Presentation of two books by Alberto Velho Nogueira, at Teatro Taborda, with the collaboration of Teatro da Garagem

The books:

Bustrofédon
Baselitz Kluge Hokusai
            Teatro
and
          Ensaios 2

 

About ALBERTO VELHO NOGUEIRA:

Conseiller Musical à la “Médiathèque de la communauté française de Belgique”(aujourd’hui – today “Point Culture”) de 1971 à 2006. Ecrivain/Writer. Éditeur/Editor. Alberto Velho Nogueira’s books are very rarely available in bookstores. “Homem à Janela” publishes Alberto Velho Nogueira’s works, without going through the usual selection that publishers make, which follow guidelines, economic or not, that are only justified by the fact that publishers increasingly depend and belong to markets based on the commercial exploitation of fiction. Alberto Velho Nogueira’s works do not belong to the typical literature categories, nor to the appreciation systems that markets of economic-commercial and the general and institutional critiques seek.  The critique is usually done through a demonstration of itself and its own limits. The markets that work for success are founders of mental constraints. The institutional markets work in a closed circle and for the defence of conventional values. The writings that represent an autonomous tendency for fictional literature are rare nowadays.

 

FREE ENTRY

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VU | FIMFA Lx’19

FIMFA LX’19
INTERNATIONAL FESTIVAL OF PUPPETRY AND ANIMATED FORMS

VU
Cie Sacékripa (FRANCE)

10, 11 & 12 MAI 2019
friday and saturdey 9:30 p.m., sunday 4:30 p.m.
TEATRO TABORDA

Portuguese Premiere

Solo for a sublime manipulator of everyday objects…
A manipulator of everyday objects with a meticulous character, delicate and outrageously meet and tidy, finds himself on the crossroads between object theatre, miniature circus and involuntary clowning.
A man attempts to make the perfect cup of tea. It’s a delicate and obsessively ordered process. Vu is a show without words about the small obsessions of life. Those small obsessions which can become sickly obsessions fed by excessive attention to detail, making us completely lose our minds. Vu concerns a sensitive and meticulous man and his relationship with objects – how he transforms them and how in turn they affect him.
As a demonstration of eccentric wit, dexterity and ingenuity, Vu is a small masterpiece.

Etienne Manceau, malabarista de profissão e encenador, optou neste espetáculo por manipular objetos comuns, que usamos diariamente. Analisa as suas qualidades, o peso, e revela a sua insuspeitada agilidade. Retira-lhes a sua utilidade e afasta-os da sua função original: um copo, uma chaleira ou alguns pedaços de açúcar começam a ganhar uma nova vida nas suas mãos. Tudo está no seu lugar, cada gesto é calculado ao milímetro e causa uma reação em cadeia de precisão espetacular.

“There are many theatre shows that are great moments. Vu is one of those.” – Ouest France
“Vu is a real jewel. Simplicity, humor and precision are the ingredients of this perfect theatre performance.” – Le Quotidien de la Réunion
“Small wonders and everyday moments of magic are entirely what drives Vu (…). Who knew a cuppa could hold so much possibility? (…) In a festival where the act of manipulation is at its core, this piece shines (…).” – Erin Roche, EdinburghGuide ****
“Vu is a lesson in observation, rewarding close attention to the subtle and significant.” – Gareth K. Vile, The List ****
“A jewel polished to the highest detail.” – Scena.ro Magazine


BIO
The company Sacékripa was founded in 2003 by five circus artists of different origins who met in 2001 when they were at LIDO, the Centre for Circus Arts in Toulouse, France. They create multidisciplinary shows integrating the skills and expertise of its artists in juggling, acrobatics and physicality into theatre productions of physical humour, charm and occasional well-meaning pathos. The company Sacékripa performs successfully on festivals and in theatres all over the world.

CREDITS
Concept and performer: Etienne Manceau Outside eye: Sylvain Cousin Photography: Alexis Dorç, Camille Chalain Coproduction and artistic residency: Pronomade(s) en Haute Garonne, Centre National des Arts de la Rue, Le Samovar, Bagnolet, Quelques p’Arts… Centre National des Arts de la Rue et de l’Espace Public Support: CIRCa, Pôle National des Arts du Cirque, La Petite Pierre, Espace Catastrophe, Centre International de Création des Arts du Cirque, La Grainerie, Le Lido – Centre Municipal des Arts du Cirque de Toulouse, Eté de Vaour 

Technique: Object theatre
Language: Without words
For audiences over: +7
Running time: 50 min.
Presentation support: Institut Français du Portugal

More info & reservations:

producao@teatrodagaragem.com | +351 218 854 190

 

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E-GARAGEM

E-GARAGEM
EDUCATIONAL SERVICE BY TG

 

TRAINING FOR EXECUTIVES
ALL YEAR ROUND
SEVERAL LOCATIONS

 

 

In partnership with IFE – International Faculty for Executives, Teatro da Garagem launches a new Educational Service project, the E-GARAGEM, extending its training work through theatre as well as its creation of more and better citizenship in other areas of society.

For more information, please contact:
Ana Palma | Educational Service Coordination
geral@teatrodagaragem.com

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L.I.B.E.R.D.A.D.E. a cine theatre in nine letters

L.I.B.E.R.D.A.D.E. A CINE THEATRE IN NINE LETTERS
94TH THEATRE PRODUCTION BY Teatro da Garagem
directed by Carlos J. Pessoa
TEXTS by MIGUEL TORGA 
24 to 28 ApRIL 2019
TEATRO TABORDA
[WED, THU AND SAT 9:00P.M. | FRI AND SUN 4:30P.M.]

 

From the 24th to the 28th of April Teatro da Garagem presents L.I.B.E.R.D.A.D.E. a cine theatre in nine letters, in Teatro Taborda. It is a show that celebrates freedom and has the work of Miguel Torga, one of the great names of Portuguese literature, for background.
Reflecting the earthy strength of words, the pungency of the characters and the fine warp of Torga’s stories, L.I.B.E.R.D.A.D.E. a cine theatre in nine letters shows the geographical, human and poetic landscape of Trás-os-Montes, that “Marvellous Realm” somewhere in the Northeast of Portugal, contradictory and unequal.
This show was created for the project NORTE 2020 – “Somewhere in the Northeast”, as an invitation from Teatro Municipal de Bragança and Teatro Municipal de Vila Real and in coproduction with Teatro Académico Gil Vicente.
Carlos J. Pessoa is responsible for the production and dramaturgy of the show. The actors are Afonso Viriato, Ana Palma, Lara Matos, Maria João Vicente, Tiago Bôto and Wagner Borges. The presentation of L.I.B.E.R.D.A.D.E. a cine theatre in nine letters in Teatro Taborda will also have the special participation of Teatro da Garagens’ Educational Services Theatre Clubs.
On the 24th, 25th and 27th of April the show will be presented at 9:00P.M. and on the 26th and the 28th of April at 4:30P.M. (the session on the 26th of April is meant for the school community).

The word Liberdade (Freedom) is the motto of this show about Miguel Torga. The spelling of Liberdade is the nexus of the dramaturgical proposal; each letter corresponds to the first letter of another word that we find necessary, constitutive of the semantic content of Freedom.
So, the L in the beginning can be Read or Books (Ler or Livros). Without this capacity, of reading and writing, it is hard to think of Freedom, unless we’re referring to the case of the “simple-minded”, only subject to the rules of an unidentifiable nature.
There is, by chance or luck, no Freedom without Wrath (Ira): The Grapes of Wrath, of other memories of the “exploitation of men by other men”, the torrential Wrath of Aquiles, even older, also called anger; in Indignation, as well as in Injustice, in so much of what happens before our eyes, and that we, because of our Incompetence, decide to Ignore.
B follows, in Kindness (Bondade), the “milk of human kindness”, still, mercifully, the effect of an abnegated medicine in an unequal fight against suffering.
The letter E in Stoicism (Estoicismo), resistance to the mercilessness of the elements, to the difficulties of the landscape, to its allure as well, stoic until the end, “no concessions” of solitary emperor -, I refer a link, perhaps unacceptable, between Praça de São Martinho de Anta, where lays the memory of centenary Negrilho, those “hanging woods”, and the Campidoglio, in Rome, where the copy of the equestrian statue of Marcus Aurelius endures.
R in Distaff (Roca), in River, in common thread, in the thread that connects, in the febrile intelligence, in Douro River, immense, rebel, adorning the landscape, weaving it in an ample movement of return; return home, return to the hands of a mother; to the depressed look of a father, not to keen on familiarities, absorbed between the fire and the writing, forcing, digging the river’s spring; the restless distaff on the tepid spinning, on the sweet and calloused hands.
D follows, in Destiny, but also in Decision; impossible combat, maybe somewhere between Destiny and Decision, decision to counter destiny, the destiny of countering the decision; between strong will and the circumstances to which each of our lives sway? “It’s destiny!” or “He managed against everything and everyone!” or “It was a mix! It was luck! It was God!” or “I don’t believe in God, no! What about him? Does He believe in me?” Decision and Destiny, until the end, never understanding if what prevails is the indomitable will of a Decision “undertaken to the last of consequences”, if an invisible damage, or stupor, that tarnishes the will.
The letter A, in Love (Amor), at first sight, at first light, at first things, Spring love, love of irresistible and pounding truth. Could there be Freedom without love, without the messy truth of love?
D in Democracy, despite all, and against the more sceptical voices, prevails this stubborn idea of understanding respect for minorities, for the lonely voices, as a vital exercise that safeguards the integrity and the dignity of the human communities.
And, at last, E for Eros, the Greek god that safeguards the “passage from chaos into the cosmos”, from the gloomy disorder into the luminous disorder, from mortuary quietness into the springtime vitality; Eros, c’est la vie (Sèlavy in Marcel Duchamp’s formulation) of the festive bodies, the flowers, at last in magnanimous altar, pruned, in form, ornament and sap of an innocent world.

Carlos J Pessoa

CAST AND CREW LIST
Text by Miguel Torga
Direction and Dramaturgy Carlos J. Pessoa
Research Support João Luís Sequeira – Espaço Miguel Torga (S. Martinho de Anta)
Acting Afonso Viriato, Ana Palma, Lara Matos, Maria João Vicente, Tiago Bôto and Wagner Borges
Participants from the Theatre Clubs Alexandre Neves, Aline Marques, Ana Maria Pereira, Carlota Nascimento, Carolina Marques, Graça Oliveira, José Daniel Toscano, Júlia Catita, Júlio Reis, Liliana Pedro, Manuel Pessoa, Marina Preguiça, Matilde Fernandes, Matilde Serrão and Sónia Castro
Music and Sound Design Daniel Cervantes
Set and Costume Design Sérgio Loureiro
Technical Director Nuno Samora
Lights Manuel Abrantes
Video Capture, Video Edition and Camera Operation Eduardo Cunha – Oskar&Gaspar
Production Director Maria João Vicente
Production and Communication Carolina Mano
Assistant Producer Joana Rodrigues and Marta Ascenso
Photography Marília Maia e Moura and Joana Rodrigues

 This show was commissioned by Teatro Municipal de Bragança and Teatro Municipal de Vila Real, for the project NORTE 2020 – “Somewhere in the Northeast”
Coproduction Teatro Académico Gil Vicente

Presented at Teatro Municipal de Bragança [vinte e sete – Festival de Teatro], Teatro Municipal de Vila Real [vinte e sete – Festival de Teatro], Teatro Académico Gil Vicente [20ª Semana Cultural da Universidade de Coimbra]

 With the support of Câmara Municipal de Lisboa, EGEAC, Junta de Freguesia de Santa Maria Maior
Financed by Direção-Geral das Artes, Governo de Portugal | Ministério da Cultura

 

+12|70 minutes long

+INFO AND RESERVATIONS:
producao@teatrodagaragem.com | 924 231 570

Tickets are 5,00€(*) and 10,00€
(*) Discount valid for: over 65, professionals of theatre, students of Theatre, residents on the neighbourhood

 

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LIBERDADE WORKSHOP

LIBERDADE WORKSHOP
TG EDUCATIONAL SERVICE

 

23, 24, 26, 29 & 30 ApRIL 2019
TEATRO TABORDA
[10:30 A.M.]

 

 

Within the scope of the presentation of the show L.I.B.E.R.D.A.D.E. a cine theatre in nine letters and with the celebrations of the 25th of April as background, the Teatro da Garagem team prompts a workshop dedicated to thinking about Freedom with the youngest as a conduit for freedom of speech and collective imagination through Theatre.
The LIBERDADE workshop is fundamentally based on the theme of the Carnation Revolution, teaching the participating children how important that decisive moment was in order to envision changes in the portuguese culture, towards freedom. A path that even now we still have to tread day after day.
The participants will be challenged to partake in a human board game, in which they will have to complete tasks and surpass countless obstacles. Teamwork, union, intelligence, persistence, courage and sensitivity will all be important elements to accomplish this challenge, just as they were for the ones who dared to carry out the Revolution of April 25, 1974.

Educational Service coordinated by Ana Palma and Maria João Vicente
Workshop directed by Rita Monteiro
Monitors Bruno Nogueira, Clara Reis and Rita Monteiro
Photography Marília Maia e Moura

With the support of Câmara Municipal de Lisboa, EGEAC, Junta de Freguesia de Santa Maria Maior
Financed by Direção-Geral das Artes, Governo de Portugal | Ministério da Cultura

Free Participation – requires reservation
Age group: from 5 to 12 years old
90 minutes long

+INFO AND RESERVATIONS:
producao@teatrodagaragem.com
218854190 | 968015251 (TUE to SAT: 2:00 P.M. – 7:00 P.M)
www.teatrodagaragem.com

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EURODRAM | 2019 SELECTIONS OF TRANSLATED PLAYS

EURODRAM | 2019 SELECTIONS OF TRANSLATED PLAYS 
Eurodram – EUROPEAN NETWORK FOR DRAMA IN TRANSLATION 

2019 Selections – Translated plays

 

 

EURODRAMis an independent European theatre translation network covering European, Mediterranean and Central Asian languages. EURODRAM’s main objective is to promote contemporary plays from across the wider European area to theatre professionals and theatre audiences and to support the work of theatre translators.
Eurodram, European network for drama in translation, is delighted to announce the 2019 selection of translated texts, recommended for production and publication. These have been chosen by the 300 members of the 32 language committees, from the 365 translated plays received in 2018.
For your information, it is from English, German and Italian, and into English, French and German, that the network received the highest number of translations.

2019 Selections by the Portuguese Committee of EURODRAM:
★ Objetivamente, Um diálogo monológico ou Um monólogo dialógico (ΠΡΑΓΜΑΤΙ / OBJECTIVELY) by Dimitris Dimitriadis (2018), translated from Greek by José António Costa Ideias
★ Caldarium (Caldarium) by Sabrina Mahfouz (2016), translated from English by Ricardo Correia

CHECK THE COMPLETE SELECTION LIST HERE 

 

The Portuguese Committee of EURODRAM is formed by Alexandra Moreira da Silva, Carolina Mano, Fernando Matos Oliveira, Guilhermina Jorge, Helena Simões, José António Costa Ideias, Maria João Vicente (Coordination), Mickael de Oliveira, Nuno Cardoso and Nuno M Cardoso.

 

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DUPLOC BARULIN | BoCA 2019

BoCA 2019
BIENNAL OF CONTEMPORARY ARTS
DUPLOC BARULIN
BY TÂNIA CARVALHO

20 & 21 MAR 2019 | 9:00 PM
TEATRO TABORDA

 

Portugal | Concert | New Production
*world premiere

“duploc barulin”. Try to say it out loud. This is the title of Tânia Carvalho’s new journey for the production of a concert. It is in lowercase, creating a percussive onomatopoeic sound in oral pronunciation and evoking the enigma of its meaning, coherent with the way of being in the art – being it dance, drawing or music – that characterizes the artist. A title that is also an open door to the imagination that Tânia develops in each new production, being it in the body of a dancer, in the keys of a piano, in the drawings that her hand draws on paper, or in a chant. From Tânia Carvalho we know a work that is always of overflowing imagination of the expressive possibilities of the body in dancing, being it in her own body or in cooperation with other dancers.

Tânia decided to learn how to play the Erhu, a Chinese string musical instrument, and didn’t cut any corners. “I wanted to learn it the way you’re really supposed to, the Chinese way, so to use it in a ‘natural’ way and then be able to explore other sounds in the instrument, things that you’re not supposed to do”, she said. “I really want to fuse the three sounds together: the piano, the voice, and the erhu”. After having presented a drawing exhibition in BOCA, “Toledo”, in 2017, this time we get to know another artistic expression, Tânia in concert. There she is exploring the creative possibilities of the instrument, in a concert where for the first time she is also composing music for another performer, André Santos, who will join her in the piano. The lyrics are either her own or from Fernando Pessoa.

CAST AND CREW LIST
Piano, erhu and voice: Tânia Carvalho
Piano: André Santos
Musical Composition: Tânia Carvalho
Lyrics: Tânia Carvalho, Fernando Pessoa
Technical Director, light design, light and sound operation: Anatol Waschke
Production: Tânia Carvalho
Executive Production: João Guimarães
Artistic Residencies: Estúdios Victor Cordón, Musibéria, O Espaço do Tempo
Partnership: BoCA – Biennial of Contempoary Arts
Hosted by: Teatro da Garagem
Acknowledgements: Pro.Dança
Photography: Bruno Simão

With the support of Câmara Municipal de Lisboa, EGEAC, Junta de Freguesia de Santa Maria Maior
Financed by Direção-Geral das Artes, Governo de Portugal | Ministério da Cultura

SINGLE-PRICE TICKET: 5€

The tickets must be previously booked and picked up in person at the ticket office, on the day of the show, between 9:00P.M. and 8:30P.M.

Booking contacts are:
producao@teatrodagaragem.com | +351 218 854 190

PHONE SERVICE SCHEDULE: MON through FRI, 2:00P.M. – 7:00P.M.
We do not take cards, but we take online bank transfer and payments through MBWay.

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BHARATANATYAM | TRADITIONAL INDIAN DANCE

TRADITIONAL INDIAN DANCE
BHARATANATYAM
SOPHIA SALINGAROS
17 MAR 2019
WORKSHOP | 3:00 PM – 4:30 PM
SHOW | 7:00 PM
TEATRO TABORDA

 

Sophia Salingaros is a world-wide known North-American Bharatanatyam dancer who has been invited to perform in many countries such as the United States, India, England, the United Arab Emirates, Germany and Belgium. As a Greek-Belgian performer of this art form, she wishes to bring the traditional Indian art to a wider audience. Sophia will be presenting a solo performance of Bharatanatyam, on March 17 at 7:00 P.M., as well as a Bharatanatyam workshop for dancers, on March 17, from 3:00 to 4:30 P.M. in Teatro Taborda.

BIO

Born in San Antonio, Texas (USA), Sophia began studying Bharatanatyam with guru Dr. Sreedhara Akkihebbalu, at nine years old. After her first solo show, in 2010, entitled “Arangetram”, Sophia has done countless performances both in the United States and abroad. She is an Empanelled Artist for the Indian Council of Cultural Relations. She was a finalist in the 2013 YoungArts Programme which was supported by the National YoungArts Foundation (USA), and in 2017-2018 she received a scholarship from the IndianRaga network. In 2018, she was invited by the Prime-Minister of the United Arab Emirates to introduce herself at the Word Government Summit, in Dubai, to the Prime-Minister of India, Narendra Modi. Sophia practices Bharatanatyam regularly with Rama Vaidyanathan, in Delhi, and performed her show “Vivartana”, in 2018, both in the United States and India. Being a pre-professional classic dancer as well, in 2015, Sophia has also studied in the Ballet Bolshoi Academy in Moscow for six months, with a full scholarship. Currently, she is studying Chemistry at Columbia University (New York) as well as continuing to passionately develop her search for dance.

 Bharatanatyam WORKSHOP
17 MAR, 3:00 P.M. – 4:30 P.M. | Teatro Taborda
MAX 30 participants | Free

Required registration
+351 968 015 251 | producao@teatrodagaragem.com
Customer Service: mon to fri 2:30 P.M. – 6:30 P.M.

 

Bharatanatyam SHOW
17 MAR, 7:00 P.M. | Teatro Taborda

+6 | 60 minutes long | Free Entry

Required reservation
+351 968 015 251 | +351 218 854 190 | producao@teatrodagaragem.com
Customer Service: mon to fri 2:30 P.M. – 6:30 P.M.

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THEATRE CLUBS | JUNIOR, TEEN AND SENIOR

THEATRE CLUBS 2019
JUNIOR | SAT, 4-7 PM
TEEN | FRI, 7-9 PM & SAT, 7-9 PM
sENIOR | SAT, 4-7 PM
TEATRO TABORDA
EDUCATIONAL SERVICE BY TEATRO DA GARAGEM

 

The Junior, Teen and Senior Theatre Clubs from Teatro da Garagem aim to develop a taste for theatre and the artistical practices, enabling people to discover the theatre universe and the amazing possibilities it encloses. The goal is for the children, teenagers and adults to try the many mechanisms that are a part of a theatre show.
The Clubs from Teatro da Garagem are one of the visible features of the Company’s Educational Service, that tries to bring the theatre and the community closer together. This movement is of mutual knowledge and is, for Teatro da Garagem, a deciding factor in the access to culture, which we believe is from everyone and for everyone.
As part of the celebrations of the Teatro da Garagem’s 30th year of activity, the work developed in the Theatre Clubs in 2019 will be directed by Carlos J. Pessoa, concluding with the presentation of the show Acceleration (Provisional Title)

Directed by Carlos J. Pessoa
Educational Service Coordination Ana Palma e Maria João Vicente
Trainers Ana Palma, Rita Monteiro and Tiago Bôto

With the support of Câmara Municipal de Lisboa, EGEAC, Junta de Freguesia de Santa Maria Maior
Financed by Direção-Geral das Artes, Governo de Portugal | Ministério da Cultura

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